David Mackenzie’s Relay (2025) is a sly, sleek and silky thriller that lurches through the corridors of subterfuge and elaborate disguise. Identities are put through a churn, revealed as something starkly different than their earlier projection. The film becomes an elongated cat-and-mouse game, where stakes keep shifting and realisations seem to race as to who is actually complicit. In this web of moral evasion, double-crossing and triple-crossing, it grows tough and thorny how to nail down the actual perpetrator, the one pulling all the strings. Intentions are cloudy, obfuscated with ulterior motives. Who can tell the truth from the lie? This becomes the playground for an unrelenting, unwavering saga that springs surprise with cold nonchalance.
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