Scott Adams, cartoonist and author and creator of “Dilbert,” poses for a portrait in his home office in Pleasanton, Calif., on Jan. 6, 2014. Credit - Lea Suzuki—The San Francisco Chronicle/Getty Images
It’s been said at this point so often that it’s a contender for a modern cliche: When you have had an exclusive stranglehold on the best of everything, anything that demands reconsideration, efforts to expand access, or insists on sharing feels like oppression rather than progress.
But, it bears, once again, making that plain.
That’s been clear to me for so long now that the news Scott Adams, creator of the comic strip Dilbert, was in the midst of a likely temporary cancellation did not register as significant. The fact that Adams’ comic-strip distributor and many of its subscriber newspapers dropped him following his declaration that Black Americans are a hate group he will not help and does not wish to be near barely rose to the level of things I thought it wise to read.
There are bigger, badder, quieter threats to equality and justice that haunt me. This was just the daily racist outrage. And it happened during Black History Month, a period during which it appears to have become a tradition for some people to do, say, and put into the public sphere the most offensive, dismissive, racist ideas that they can.
What’s more, Adam’s claims struck me as patently ridiculous.
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